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Here are the winners of the first night of the 75th Primetime Creative Arts Emmy Awards

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Here are the winners of the first night of the 75th Primetime Creative Arts Emmy Awards
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The Television Academy has always been heaped with praise because of their great nominees and awarded movies. Although the 2023 SAG-AFTRA strike affected the cinematographic industry profoundly, this wasn’t an obstacle to celebrate the best of the year in two nights of the Creative Arts Emmy Awards, and the 75th Primetime Emmys on January 15.

2024 is such a special year, because the awards are usually held in September, but they had to be rescheduled due to the Hollywood labor strikes. The first of two Creative Arts Emmy Awards ceremonies had numerous expectations because of the great contenders in every category. The Biggest series awarded were Max’s “The Last of Us,” Hulu’s “The Bear” and Max’s “The White Lotus.”

Here are the winners of the first night of the 75th Primetime Creative Arts Emmy Awards

The most awarded series of the Night: “The Last of Us” has eight awards.

  • Outstanding Prosthetic Makeup: “Infected.”
  • Outstanding Special Visual Effects in a Season or a Movie.
  • Outstanding Main Title Design.
  • Outstanding Sound Editing for a Comedy or Drama Series (One Hour): “When You’re Lost in the Darkness.”
  • Outstanding Sound Mixing for a Comedy or Drama Series (One Hour): “When You’re Lost in the Darkness.”
  • Outstanding Guest Actress in a Drama Series: Storm Reid, “Left Behind.”
  • Outstanding Guest Actor in a Drama Series: Nick Offerman, “Long, Long Time.”
  • Outstanding Picture Editing for a Drama Series: “Endure and Survive.”

“The Bear” and “The White Lotus”: four awards each.

  • Outstanding Casting for a Drama Series.
    The White Lotus.
  • Outstanding Contemporary Hairstyling.
    The White Lotus, “Abductions.”
  • Outstanding Music Supervision.
    The White Lotus, “Bull Elephants.”
  • Outstanding Music Composition for a Series (Original Dramatic Score).
    The White Lotus, “In the Sandbox.”
  • Outstanding Casting for a Comedy Series.
    The Bear.
  • Outstanding Sound Editing for a Comedy or Drama Series (Half-Hour) and Animation.
    The Bear, “Review.”
  • Outstanding Sound Mixing for a Comedy or Drama Series (Half-Hour).
    The Bear, “Review.”
  • Outstanding Picture Editing for a Single-Camera Comedy Series.
    The Bear, “System.”

Here are the winners of the first night of the 75th Primetime Creative Arts Emmy Awards

Creative Arts Emmy Awards night one:

  • Outstanding Guest Actor in a Comedy Series.
    Sam Richardson, Ted Lasso, “International Break.”
  • Outstanding Choreography for Scripted Programming.
    Blindspotting, “The History / San Quentin Blues.”
  • Outstanding Casting for a Limited Anthology Series or Movie.
    BEEF.
  • Outstanding Period Costumes for a Series.
    The Great, “Choose Your Weapon.”
  • Outstanding Period Costumes for a Limited or Anthology Series or Movie.
    Daisy Jones & The Six, “Track 8: Looks Like We Made It.”
  • Outstanding Fantasy / Sci-Fi Costumes.
    House of the Dragon, “The Heirs of the Dragon.”
  • Outstanding Contemporary Costumes for a Series.
    Wednesday, “Wednesday’s Child Is Full of Woe.”
  • Outstanding Contemporary Costumes for a Limited of Anthology Series or Movie.
    BEEF, “The Birds Don’t Sing, They Screech in Pain.”
  • Outstanding Contemporary Makeup (Non-Prosthetic).
    Wednesday, “Woe What a Night.”
  • Outstanding Period and/or Character Makeup (Non-Prosthetic).
    The Marvelous Mrs. Maisel, “Susan.”
  • Outstanding Guest Actress in a Comedy Series.
    Judith Light, Poker Face, “Time of the Monkey.”
  • Outstanding Period and/or Character Hairstyling.
    Queen Charlotte: A Bridgerton Story, “Crown Jewels.”
  • Outstanding Stunt Coordination for a Drama Series, Limited or Anthology Series or Movie.
    The Boys.
  • Outstanding Stunt Coordination for a Comedy Series or Variety Program.
    Barry.
  • Outstanding Stunt Performance.
    The Mandalorian, “Chapter 24: The Return.”
  • Outstanding Production Design for a Narrative Program. (Half-Hour)
    Only Murders in the Building, “Sparring Partners.”
  • Outstanding Production Design for a Narrative Contemporary Program. (One Hour or More)
    Wednesday, “Wednesday’s Child Is Full of Woe.”
  • Outstanding Production Design for a Narrative Period or Fantasy Program .(One Hour or More)
    Guillermo del Toro’s Cabinet of Curiosities.
  • Outstanding Special Visual Effects in a Single Episode.
    Five Days at Memorial, “Day Two.”
  • Outstanding Motion Design.
    Ms. Marvel.
  • Outstanding Sound Editing for a Limited or Anthology Series, Movie, or Special.
    Prey.
  • Outstanding Sound Mixing for a Limited or Anthology Series or Movie.
    Daisy Jones & The Six, “Track 10: Rock ‘N’ Roll Suicide.”
  • Outstanding Music Composition for a Limited or Anthology Series, Movie or Special (Original Dramatic Score).
    Weird: The Al Yankovic Story.
  • Outstanding Original Music and Lyrics.
    Ed Sheeran, Foy Vance, and Max Martin, Ted Lasso, “So Long, Farewell / Song Title: A Beautiful Game.”
  • Outstanding Actor in a Short Form Comedy or Drama Series.
    Tim Robinson, I Think You Should Leave with Tim Robinson.
  • Outstanding Original Main Title Theme Music.
    Danny Elfman, Wednesday..
  • Outstanding Actress in a Short Form Comedy or Drama Series.
    Jasmine Guy, Chronicles of Jessica Wu.
  • Outstanding Picture Editing for a Multi-Camera Comedy Series.
    Night Court, “Pilot.”
  • Outstanding Picture Editing for a Single-Camera Comedy Series.
    The Bear, “System.”
  • Outstanding Picture Editing for a Limited or Anthology Series or Movie.
    BEEF, “Figures of Light.”
  • Outstanding Cinematography for a Series. (One Hour)
    The Marvelous Mrs. Maisel, “Four Minutes.”
  • Outstanding Cinematography for a Series. (Half-Hour)
    Atlanta, “Andre Wyeth. Alfred’s World.”
  • Outstanding Cinematography for a Limited or Anthology Series or Movie.
    Black Bird, “Hand to Mouth.”
  • Outstanding Television Movie.
    Weird: The Al Yankovic Story.
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